No Escape

Clarence Wolfshohl

Nandor Glid’s sculpture at Dachau

a moat
          ten-feet wide
                    water-filled

a slope of loose
          gravel for no
                    footing

more slope
          covered by barbed wire
                    netting to catch

ankles like butterflies
          floating southward
                    in their destiny

then the fence
          rows of barbed wire
                    six inches apart

electrified

A man would splash,
          then scramble in scratching
                    agony up the slope,

be ensnared in barbed
          netting only to be entangled
                    and electrocuted in

strands of wire.

left to hang
          in sinister angles
                    as warning when

grey dawn lit
          the compound
                    the already skeletal

body rotting to mere
          bone on which the state
                    fed

the sculpture’s seven bodies caught
          in the wire
                    one suspended escapee

twisted into a swastika

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