All posts by Zeina Beck

Pushcart Prize nominee Zeina Hashem Beck is a Lebanese poet with a BA and an MA in English Literature from the American University of Beirut. Her poems have been published or are forthcoming in Nimrod, Poetry Northwest, Columbia Granger’s World of Poetry, The Common, Cream City Review, Quiddity, Copper Nickel, Mizna, and Mslexia, among others. Her first poetry collection, To Live in Autumn, won the 2013 Backwaters Prize and will be published in August 2014 by the Backwaters Press. It was selected as winning manuscript by distinguished poet Lola Haskins. Zeina lives with her husband and two daughters in Dubai, where she regularly performs her poetry. zeinahashembeck.com

The Old Building

The Old Building
By Zeina Hashem Beck

Floor I

Water could not reach higher
than the first floor those days,
(that is what I recall)
so we spent our mornings going up
and down, up and down
to the first floor,
with buckets in our hands.
Mama sometimes sang and said
she had a great voice
and could’ve been a star.
I climbed and thought her voice
lifted the heat for a while,
resembled the water in our hands,
reflected the color in her eyes—
blue, inevitable, clear,
as I plunged into it and sang.
The stairs were more crowded
than the streets,
as if life were transferred
to that vertical world with yellow walls,
and permeated the small bullet holes.

Floor IV

I don’t remember anyone’s
name, except for the oldest son Yasseen,
whose madness imposed itself on us,
whom we found from time to time,
unconscious on the night stairs,
like a garbage bag at our feet.

Floor V

Umm Jamal’s laughter trembled,
settled in the fat around her waist.
As I ate she insisted
that I eat everything with bread,
told me her granddaughter
loved ketchup too.

One day she dusted her photo frames,
arranged them in sunlit angles,
braided her long winter hair in a bun,
pinned it to the back of her head
and stopped aging.

Floor VII

Raymond lived with his mother
who went sideways down the stairs,
click, click, slowly, click,
(they say the war disturbs your walk).
Sometimes he sang in the shower
“Hiroshima, Hiroshima,
boom boom boom,
boom boom boom,”
until the ambulance flickered in the dark
like an ominous red star.

One day on the stairs,
time decided to
stop, cut itself in two,
let Raymond descend
from his room on the seventh.
I looked and told myself,
“Do not fear poor Raymond,
poor Raymond, he’s so calm.”

Floor IX

Ammo Jawad couldn’t part
with the city, and its cafés, its streets.
On nights when the heat
grabbed you by the throat,
he slept on the balcony, smoked cigars,
wrote to his family in Dallas,
scribbled Arabic poetry across the sky
and dreamt
of the sixties, of fields of wild thyme
and a cold light breeze.

Floor VI

The beautiful mother with blue eyes
shouted to the grocery store
from the balcony every other day,
I can still hear her say,
“Tomatoes, rice, tissues and
Always, Always,
the thin ones please.”
The father smoked Gitanes and
politics, wanted to change his car,
wanted to change his life.
He sang me to sleep every night,
planted my name
among olives and jasmine trees.
The little girl with crooked teeth
biked on the balcony with her brother,
remembers nothing of the civil war,
except a man singing to Hiroshima,
buckets filled with water, stairs,
and a little candle in the corridor
lit so she won’t be afraid of the dark.

(previously published in Copper Nickel)